The Recurrent Actuality of the Baroque is a book
about visual art. It deals with the broken continuity in time from the
historical Baroque to the contemporary one. The text follows a
comparative method of study based upon recent research in the fields of
art theory and aesthetics. Apart from the hypotheses of Walter Benjamin
and the epistemology of Michel Foucault, the book introduces and expands
the most important theories about the actual Baroque as they have been
devised and developed by Mario Perniola, Christine Buci-Glucksmann and
Gilles Deleuze. The problems of passage between visual forms and
composition of the images are analysed in terms of
simulation, rationality, space, the wildness of artistic intentionality
and the folding of matter and meaning. If the text is discreetly haunted
by Leibniz, Ancient Rome and the poetry of Baudelaire, its direction of
thinking is totally devoted to the understanding of visual art from
Bernini and Velázquez to Louise Bourgeois, Mona Hatoum and ORLAN.
Special attention is paid to visual artists in Denmark dealing with
ìBaroque universalsî from the 1980s up to the present day.
The Recurrent Actuality of the Baroque
Controluce 2017, www.controluce.dk
© Else Marie Bukdahl 2017
Translation: Inge Tranter
Consultant (text): Neil Stanford
Consultant (images): Marie Kirkegaard
Layout: Rasmus Eckardt
Print: Specialtrykkeriet Arco A/S
ISBN.: 978-87-92172-04-4
Printed in Denmark 2017
The Recurrent Actuality of the Baroque
Controluce 2017, www.controluce.dk
© Else Marie Bukdahl 2017
Translation: Inge Tranter
Consultant (text): Neil Stanford
Consultant (images): Marie Kirkegaard
Layout: Rasmus Eckardt
Print: Specialtrykkeriet Arco A/S
ISBN.: 978-87-92172-04-4
Printed in Denmark 2017